Sans Soucie
Art Glass Studios, Inc.

Since 1976

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Archive for August, 2009

Positive & Negative Sandblast Techniques

August 28th, 2009 by lgannett – Comments (0)

At Sans Soucie, we use a variety of different sandblast effects and techniques in our work.  For the most part, the pieces we create are achieved through what’s called “multi-stage sandblasting”, where the design elements are carved, one small part a time, layer upon layer, achieving a multi-dimensional effect in the design.

This grape cluster and leaves are a "multi-stage" sandblast.  Each grape has been sandblasted one at a time.

This grape cluster and leaves are a "multi-stage" sandblast. Each grape has been sandblasted one at a time.

A more common technique used in sandblasted glass, is called a “single stage sandblast”.  It’s “one stage”, in that the entire template is cut and all the elements or portions that will be sandblasted are removed at the same time, then the entire surface is sandblasted at the same time.   Within this technique, are two “effects” or finishes:   They’re what’s referred to as  a “postive” or “negative” sandblast.

The positive sandblast is where the elements within the design remain clear glass and the background area of the glass is solid etched.

Obviously the negative sandblast provides for obscurity and so this technique is used for the majority of products like pantry or door glass where privacy is desired.

Cabinet Glass.  Left door glass is Positive, right is negative.

Cabinet Glass. Left door glass is a positive sandblast, right panel is negative.

"Pegasus" door glass design.  Negative sandblast.

"Pegasus" door glass design. Negative sandblast.

"Pegasus" door glass design, positive sandblast.

"Pegasus" door glass design, positive sandblast.

New Entry Door Glass for Historic Home

August 25th, 2009 by lgannett – Comments (2)

Looking thru the glass to the mural inside, as you approach the front entry.

Looking thru the glass to the mural inside, as you approach the front entry.

Last week we installed a new entry door glass panel into a home that is not only beautiful, but also has a wonderful, unique history, owned by a delightful couple, Harold & Dorothy Meyerman.

As we talk about on our web site, we count ourselves incredibly fortunate to be in the business we are in, that gives us opportunities to meet and get to know some amazing people, who commission us for glass in their incredible homes!   This client was no exception!  From the moment Harold & Dorothy entered our showroom, we enjoyed working with them, planning and designing their glass.   We also soon discovered that their home was not only beautiful, but had an interesting history.

The home is located in the Oak Knoll area of Pasadena, near the Langham Hotel. The architect was H. Roy Kelly, reasonably well known in his day.  He was a student of Mies van der Rohe.  The 1950’s style home was featured in a 1949 issue of Architectural Digest that Harold &  Dorothy have.  Dana Smith was its first owner and the Meyerman’s purchased the home from him.  Dana chaired President Nixon’s early campaigns including the one which led to the President’s “Checkers” speech.  The Meyerman’s have done significant updates over the years, much with the approval of Mr. Kelly, who last saw the home at the age of 98.

The new door glass is installed into the wide front entry door and measures approx. 36″ x 79″ and is 1/2″ thick, clear tempered glass.

View from inside the house, looking through the glass to courtyard, entry.

View from inside the house, looking through the glass to courtyard, entry.

The design selected is a pattern of 1″ squares, set 1″ apart, that are 3-dimensionally sculpture carved into the inside surface of the glass, providing a very stream-lined, contemporary feel, in keeping with the sleek lines of the 1950’s style architecture.  The background area is clear glass, which allows for visibility through the glass, into the entry area of the home, where directly opposite of the front door, is a beautiful mural commissioned in 1996, which can now be seen through the glass, as you enter the driveway and approach the home, which was not previously visible thru the original, solid door.

We’re proud to have a piece of our work as a part of this beautiful, historic home, and are grateful to have

met and worked with Harold & Dorothy!

We invite you to read their comments about the new glass on our Testimonials Page!

Close up, from inside the house.

Close up, from inside the house.

Etched Glass, Carved Glass. What do you mean?

August 18th, 2009 by lgannett – Comments (0)

The term “etched glass” can have a number of different meanings, pointing to a number of different “etching techniques”.

Most people have a basic picture in their minds when they hear the term “etched glass” .. basically visualizing that the glass surface has been turned white!  It’s  no longer “clear”.  This is true, it’s  just that there are a number of different techniques that can be used to achieve this effect,  AND there’s a number of different effects or “looks” of etched glass, all different, but all falling under the definition “etched glass”.

“Etched glass” is a generic term for the treatment of the glass surface to diffuse transmitted light, reduce glare and give the glass a white, frosted appearance.  A couple detailed definitions include:

“Glass decorated through the process of sandblasting or the use of hydroflouroc acid”. (source picassomio.com).

“A type of glassware whose decorative design has been cut into the surface by the corrosive action of an acid.  An etched-glass surface may be either rough and frosted or satiny smooth and translucent, depending largely on the composition of the glass and the amount of time the glass is exposed to the acid.” (source britannica.com).

The method used by Sans Soucie, is sandblasting, whereby we are etching the surface of the glass by spraying it with compressed air and sand.  It takes a very gifted and well trained hand to be able to achieve a level of quality in the art of sandblasted glass!

Sans Soucie Glass artist sandblasting waves into a glass panel that will become a window.

Sans Soucie Glass artist sandblasting waves into a glass panel that will become a window.

But then there’s further meaning for us, as we describe our sandblast techniques and effects.  When we use the term “etched”, we really mean “surface etched”, where we have sandblasted the glass enough to effect the “surface only”.    “Etching” does not go deep into the glass and creates a one-dimensional effect.

A cluster of grapes that has been "etched & shaded".   This method provides wonderful "definition" or "depth" of the images within the deign, but they are "two dimensional" only.

A cluster of grapes that has been "etched & shaded". This method provides wonderful "definition" or "depth" of the images within the deign, but they are "two dimensional" only.

When we “go deeper” into the glass, we call that  “carving”  or “sculpture carving” the glass.  Carving means we have sandblasted DEEPER into the glass surface, creating a three-dimensional sculpted image, carving a relief design which is a much more detailed effect, obtaining differing depths within the carved image.  The carved EDGES within the design image will actually appear whiter and brighter, as they pick up and reflect the surrounding light.  The image will appear three dimensional, as if it is floating within the glass.

This grape cluster has been "sculpture carved & shaded."  Note how the edges are 3-dimensional and pick up the light

This grape cluster has been "sculpture carved & shaded." Note how the edges are 3-dimensional and pick up the light

Another,  more basic method or really more common “etched glass is look” is called a “solid etch”.  This is a “single stage sandblast” technique, where there is no “shading” (shading is the term we use for leaving clear areas within the design).   And by the way, this is the ONLY effect that can be achieved through other means of etching, such as acid or laser etching.  This is where the design is a “solid white”, if you will.  The effect is one-dimensional and does not create any “depth” or dimension in the design.

Another technique or effect that Sans Soucie glass features, is adding color to the glass design.  This of course adds a dramatic element  and since any color can be applied, this allows for a limitless, custom feature of our glass.

For more information about techniques and effects, as well other commonly asked questions, visit our FAQ’s page on our web site!

This grape cluster is "solid etched", a single-stage sandblast.  The design elements are "solid" white, with no clear areas or "shading".

This grape cluster is "solid etched", a single-stage sandblast. The design elements are "solid" white, with no clear areas or "shading".

This grape cluster has been carved and painted.  Adding color to the design creates a very dramatic finish.

This grape cluster has been carved and painted. Adding color to the design creates a very dramatic finish.

Recently Completed “Abstract Hills” Wall Partition Glass

August 13th, 2009 by lgannett – Comments (0)

This beautiful 3-panel wall divider glass, pony wall partition was finished and installed this week inside a Medical Professional Building in Whittier, California.

"Abstract Hills" Wall Partition Glass.  The 3 panel wall partition features 4 different textures and are separated by carved bands that are bordered by a clear pinstripe.

"Abstract Hills" Wall Partition Glass. The 3 panel wall partition features 4 different textures and are separated by carved bands that are bordered by a clear pinstripe.

Contracted by interior design firm “Living Concepts, A Design Studio” of Seal Beach, California, Sans Soucie Art Glass installed the 3 panels measuring 23″ wide x 65-1/2″ tall, 3/8″ thick, clear tempered glass that were encased inside 3/4″ chrome finish U Channel, on top of a pony wall.

The Sans Soucie design “Abstract Hills” was chosen, which features a beautiful selection of different textures and design elements, requiring several different techniques.   The glass is surface etched as well as sculpture carved with bands and an abstract random texture that has small chunks or formations.   Other sections were gluechipped sections and solid frosted.  The panels will not only provide a beautiful and interesting custom glass element to the area, but the textures and finishes that were applied, also obscure the glass, providing privacy.

Close up showing more details featured in the various textgures.

Close up showing more details featured in the various textures.

Etched Door Glass: Our most popular product.

August 11th, 2009 by lgannett – Comments (0)

"Triptic", door insert glass. This design has been executed for privacy.

"Triptic", door insert glass. This design has been executed for privacy.

Of all the custom architectural etched and carved art glass products and pieces created by Sans Soucie Art Glass Studios, far and away our most popular product is our DOOR GLASS.

As they say, “First Impressions Count!”   The entry area is the first focal point of any home or establishment.  Sans Soucie creates stunning entries and coordinated sidelites that greatly carved and paintedenhance the look and feel of the entire home.   We specialize in both entry door glass inserts, as well as all glass frameless doors and entries.

Etched, carved and stained art glass is the perfect solution for entry doors … a place where you want to to enjoy natural light coming into the entry area, yet at the same time have the privacy you need.

One of the greatest things about our custom etched glass designs, is that we can take any design, and executive it for the level of privacy that you need for any particular area.  Our custom etched, carved and stained glass designs will provide both privacy and light, through our magnificent “works of art captured in glass”, that are created to suit your design tastes and styles!

"Rugged Retreat" door insert glass.  This design has been executed for "semi-privacy".  Notice the clear areas that remain, allowing for some visibility through the glass.

"Rugged Retreat" door insert glass. This design has been executed for "semi-privacy". Notice the clear areas that remain, allowing for some visibility through the glass.

We can even etch the design right on your existing glass!  If you already have your door WITH GLASS IN IT, it will contain an insulated, dual glaze unit that will typically contain two layers of 1/8” glass.  So, if we are going to ETCH (not 3-dimensionally sculpture carve) the design into the glass, then we can use your existing glass.  If you want your design to be SCUPTURE CARVED, we will simply remove the existing unit and either replace it with a single 3/8” or ½” thick layer of tempered glass, OR we will create a new dual pane unit, with one of the layers being 3/8” thick for carving.  Either way,  you won’t lose any thermal insulation but will actually gain additional insulation with our new thicker single pane of glass or insulated unit.  When ordering a new door frame, order the door WITHOUT the glass in it.  We will provide the glass.   In most cases for door inserts, we replace existing glass, so just order the frame empty, without any glass .. otherwise, we’ll just remove and replace with our new glass.

Another service option we provide, is we will take your existing SOLID door, cut out the center, and install our new art glass into a newly re-structured door frame!  This saves on having to purchase a whole, new door and hardware!  A tremendous savings for you!

For a price on this, and all other products and services we provide, complete a Quote Request through our web site.

"Matrix"  all glass, frameless courtyard entry.

"Matrix" all glass, frameless courtyard entry.

The U.S. Marine Corps Seal Carved in Glass by Sans Soucie

August 8th, 2009 by lgannett – Comments (1)

US Marine Corps Seal etched carved glass4US Marine Corps Seal etched carved glass3US Marine Corps Seal etched carved glass2US Marine Corps Seal etched carved glass

Sans Soucie Art Glass Studios was recently selected to carve the United States Marine Corps seal, for installation inside the Officers Club at the U.S. Marine Corps Air Ground Combat Center in Twentynine Palms, California.

The 36″ diameter seal is deep carved on the front side of a 1/2″ thick clear, tempered glass panel.  The panel is installed as a wall art piece, using stand-off posts and is spot lit from the ceiling.

The panel was delivered and installed by Sans Soucie glaziers in July 2009 and is now proudly on display inside the officers club.

The Marine Corps Air Ground Combat Center (MCAGCC), also known as 29 Palms, Twentynine Stumps or simply the “Stumps”, is the largest U.S. Marine Corps base in the country.  Its located adjacent to the city of Twentynine Palms in southern San Bernardino County, California.  Twentynine Palms has a reputation within the Marine Corps for its relative desolation and isolation, due to the harsh desert climate and the remote nature of the base.  As of the year 2000 census, the base had a total population of 8,413.  The base was first established in 1949.

Hello world! Welcome to our Blog!

August 6th, 2009 by admin – Comments (14)

Sans Soucie Logo Meta bckgd LG

Welcome to the  Sans Soucie blog page!  We are very excited about this new internet tool that will provide us with a venue to share updated information and photographs of our latest completed pieces and projects, as well as news and information about the art and industry of architectural art glass.  We have lots of exciting things to share in the coming weeks, like our recently completed carved glass Marine Corps Seal, as well as examples of how we can execute the same design, several different ways to provide the privacy level and look our clients desire.

Chaun & LeeAnn Close

Chauncey & LeeAnn Gannett

Since 2003, blogging has exploded in use and popularity as a tool for individuals and businesses to share news and information about their life, or business product or service.  To see a short video clip that explains what blogging is really all about, see Blogs in Plain English.